Arguably the most important living artist in America, Jasper Johns (b. 1930) has been a leading advocate of drawing as an artistic genre in its own right, not just a preparatory medium for other works. This catalogue brings together 41 of Johns's drawings, spanning more than 60 years of his illustrious career and, beginning in 1954, the origin of his mature practice. It encompasses his most famous recurring motifs, including flags, targets, and numbers, and an essay by David Breslin contextualizes this reiterative aspect of Johns's career. Exquisite reproductions and large-scale details reveal the touch and process of this master draftsman, imparting to the reader a feeling of being in close contact with the artist himself. As this intimate book shows, Johns's art, at once simple and enigmatic, is above all a meditation on the world around him, a constant investigation of what he calls "the condition of being here." Distributed for The Menil Collection Exhibition Schedule: The Menil Collection, Houston (11/03/18-01/27/19)

The celebrated Spanish sculptor Juan Munoz (1953-2001) died at the height of his powers, when he was considered "one of the most complex and individual artists working today" (Guardian). His challenging, enigmatic works almost inexorably draw in viewers. "The spectator," Munoz said about his installations, "becomes very much like the object to be looked at, and perhaps the viewer has become the one who is on view." This handsome book, distinguished by more than 30 stunning photographs, documents a group of Munoz installations at the Sterling and Francine Clark Art Institute. Representing the full range of Munoz's sculptures-from First Banister (1987), which reflects the artist's early use of architectural language, to Conversation Piece (2001), a work that shows his later interest in the human figure-the book demonstrates how Munoz invented a mode of storytelling through objects that spoke to space, memory, and displacement. David Breslin contributes a reflection on notions of interiority and exteriority, and of perception and absorption, as expressed in Munoz's work. Distributed for the Sterling and Francine Clark Art Institute

Art History and Emergency assesses art history's role and responsibilities in what has been described as the "humanities crisis"-the perceived decline in the practical applications of the humanities in modern times. This timely collection of critical essays and creative pieces addresses several thought-provoking questions on the subject. For instance, as this so-called crisis is but the latest of many, what part has "crisis" played in the humanities' history? How are artists, art historians, and professionals in related disciplines responding to current pressures to prove their worth? How does one defend the practical value of knowing how to think deeply about objects and images without losing the intellectual intensity that characterizes the best work in the discipline? Does art history as we know it have a future? Distributed for the Clark Art Institute

This stunning book examines the collection of works by self-taught artists assembled by Stephanie and John Smither over the last thirty-odd years. A team of prominent curators, writers, critics, and art historians focuses on key works by twelve artists, including the boisterous assemblages of Thornton Dial; brightly colored visual interpretations of the Bible by Sister Gertrude Morgan; Oscar Hadwiger's detailed wood models of fantastical architecture; and Carlo Zinelli's narrative tableaus of stylized figures and animals. Also featured are works by the ceramicist Georgia Blizzard; drawings by Hiroyuki Doi, Solange Knopf, Martin Ramirez, and Dominico Zindato; paintings by Jon Serl and Johnnie Swearingen; and carved wood sculptures by Charlie Willeto. Distributed for The Menil Collection Exhibition Schedule: The Menil Collection (06/10/16 -10/16/16)

Featuring thirty-five outstanding abstract paintings made between 1950 and 1975 from the collection of the National Gallery of Art, Washington, this fascinating book casts a new glance at a renowned period in the history of art, including works by Lynda Benglis, Jasper Johns, Yayoi Kusama, Jackson Pollock, and Mark Rothko. A groundbreaking essay by Harry Cooper explores Pollock's preeminent role for these and other artists, analyzes artistic influence, and discusses what it means to be original. Focusing on Frank Stella, Helen Frankenthaler, Morris Louis, Robert Ryman, Cy Twombly, and Simon Hantai, and viewing their relationships to Pollock through the lens of Harold Bloom's seminal text The Anxiety of Influence, Cooper addresses the material, psychological, and thematic ties between Pollock's work and theirs and expands the circle of artists that we might consider his artistic heirs. Distributed for the Clark Art Institute and the National Gallery of Art, Washington Exhibition Schedule: The Clark Art Institute (07/04/14-10/13/14)